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Tefta Tashko Koço sings Këndon Tefta Tashko Koço(1973)
- 标签:
- 类型:
- 电影
- 导演:
- Marianthi Qemo-Xhako
- 主演:
- 评分:
- 9
- 剧情:
- Documentary about the soprano Tefta Tashko Koço. It uses only photographs of her, as well as short interviews with various friends of her. Although the audio is not perfect, you can enjoy many fragments from her songs. Note: Highly nationalistic content and communist propaganda in the narrated text. Soprano Tefta Tashko Koço (1910-1947) was born in Fayoum, Egypt, where her pare......

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- 主演:
- 类型:
- 动作
- 地区:
- 暂无
- 评分:
- 7
- 简介:
- 姐姐若兰死前若曦讨休书那一段,看了三遍,汪的哭出声…...
- 评论:
- 虽然故事情节很弱,但是很会煽情,最后一集刘诗诗死的时候简直哭的我肝肠寸断,记忆中还是曾经的琼瑶剧让我大哭过。
- 人物性格鲜明,但有时显得过于矫情;情感充沛细腻,但除情感戏以外的几乎所有戏都处理得过于儿戏。但还是值得四星,因为那种“我本想帮你避免悲剧,结果我恰恰成为你悲剧的始作俑者”的宿命感表现得太好;还因为若曦从男女平等、一夫一妻观念,到渐渐忘却现代人婚恋观的转变。《大明宫词》中的武则天说,“把一个男人放到女人的处境里,他就会变成女人。”《步步惊心》向我们阐释了,把一个现代人放到古代人的处境里,她就会变成古代人。这个处境安排得如此有说服力,以至于看之前我以为我的状态应该是“都是狗男人,我一个都不爱”,没想到实际上我的状态是“天啊他们每一个都好好”,看来,把一个观众放到古代人的处境里,她也会变成古代人。